Help needed for people and pets..! Cinnamon Trust

The Cinnamon Trust is the national charity for the elderly and terminally ill and their pets.  We seek to keep owner and pet together for as long as possible with the help of a national network of volunteers who assist when day to day care poses a problem.

We have a resident of Bergh Apton asking for our support to walk their lovely dog, but not enough local volunteers to be able to help them

Cinnamon Trusts aim is to relieve the owners of any worry concerning the welfare of their pets both during and after their own lifetime making us unique amongst charities.

All volunteers help in the ways that are most appropriate to them.  Volunteers take it in turn to visit housebound owners to take their dogs for walks, they help with cat care, volunteers foster pets as one of their family when owners face a spell in hospital, they take pets to the vet, even clean the budgie’s cage out.

For further information contact Sally direct on 01736 758707 or email

sallycollins@cinnamon.org.uk .

The volunteers can gain access to our volunteer page on our website or www.cinnamon.org.uk or by emailing us at volunteer@cinnamon.org.uk

Any help you are able to give will be very gratefully accepted.

 

Midwinter Dreaming – A Play For Candlemas 2016

Shadows, Silences, Songs, Sights, Flickering Lights, Fleeting Figures, Laughter & Ancient Stories Woven
in

Midwinter Dreaming logo bw

TICKETS

Please note that tickets are sold out for all three performances. The waiting list for returns has also been closed.

ALL TICKET HOLDERS

Please note that you should park at Bergh Apton Village Hall.
Our main car park is waterlogged, and so we have had to change plans.
You will be collected and bussed to the Church.
Please have your Ticket confirmation to show Reception.

Holly Man - FP

Facebook Photos

The Bramerton Group of Villages is at it again!!

Having created such a stir in 2014 with their Mystery Play Cycle, the call went out again. Nothing could hold back these intrepid inhabitants of Kirby Bedon, Surlingham, Framingham Pigot, Rockland, Ashby and of course, The Tribes of Ton – Alpington, Yelverton, Bergh Apton, Thurton, Bramerton, Hellington, Carleton & Claxton. The call was answered. Some forty people are involved in script writing, acting, singing, music making, rude mechanicallising, creating props and costumes and general dogsbodying.

So DO come to see what they have all been working at – for your enjoyment.

Darkness is dispersed. Light takes over. The sounds of summer in winter’s depths. Ancient tales, woven together produce an enchanting evening. A band of motley clothed players. Mediaeval rhymes spun into musical cloth. Scarcely visible musicians. A hive of activity.

All this with Wassailing and Cutty Wren hunting and, of course, the unexpected. All to celebrate the coming of the Light and Candlemas. This is Midwinter Dreaming.

Along the way we have been helped by a significant contribution from the international writer and story-teller, Hugh Lupton. And for the performance, Charlotte Arculus, the Director and Mary Lovett, Musical Director have added innovation, drama and song transforming the play into an atmospheric experience. Candlemas is a Festival of Light. The Light of the World has arrived and Spring is around the corner as the Sun brings much needed warmth.

There are three performances of Midwinter Dreaming.

The audience is asked to arrive at 6.30pm to drink Wassail to the performance, refresh and warm themselves before joining a Lantern led procession to Bergh Apton church, darkened, for the mysteries to unfold.

This is a Bergh Apton Community Arts Production. This production would not have been possible without BACAT’s support.

It will be a special experience.
It will carry everyone from deepest, darkest, coldest winter towards the delights of spring and summer, picking up where the Christmas Story might have gone and taking us all into the Light.

Performances take place on January 24th & 30th & February 6th.

For more information please send an email to:
midwinterdreaming@yahoo.co.uk

REHEARSALS

Singing Rehearsals

Acting Rehearsals

WORKSHOPS FOR THIS PLAY:

1) Making stars from reeds- 14 November 2015

2) Lantern Making Workshop – 10 October 2015

3) Making Candlesticks Workshop – 21 November 2015

Mass Dials

Stand facing the south porch of Bergh Apton church and then turn and take three or four giant strides to your right and you will reach the north wall of the transept. The wall is made of flint and the quoins of limestone. A wall built of flint and rubble would have an uneven edge at the corner and wet and frosty weather would soon erode so quoins, which are cut blocks of stone, were used to give stability and protect. Today quoins are largely merely decorative. About four or five feet up on one of these quoins are groves, a few inches in length and radiating from a central point where the gnomon used to be, this would probably have been a nail and is long gone. The right hand side of the quoin was broken at some point so the lines on that side have nearly disappeared. I used to think this was what is sometimes known as a scratch dial, a simple sun dial. I am reading ‘Medieval Graffiti’ by Matthew Champion and I now know these are correctly called Mass Dials. The early ones were generally just straight lines but later ones included numerals and quite complex decoration. There are several thousand of them to be found in churches all over England. One theory is that they were used to show the approximate time of church services. In Mediaeval times life was planned between the rising and the setting of the sun and dominated by the Roman Catholic Church. Prayers were said through the day beginning at Matins which was before dawn and then Prime, Terce, Sext, None, Vespers which was at sunset and Nocturnes after sunset. As in our day church services were announced by the tolling of a bell so there was no need to put aside whatever task was in hand and hurry to the dial to see if it was time for a service. Some of these dials are found on the north wall of a church so of little use there. Dials were usually scratched near the porch of a church but some are found inside which would indicate the porch was a later addition. In some cases there are several of these dials scratched into the stonework and close together, why would several be needed? There is no real answer as to what these dials were really used for.

As far as I know no other examples of graffiti from six or seven   hundreds of years ago can be found in Bergh Apton Church. So, in other ancient churches who scarred the walls? Was it perhaps the ploughman who scratched a fire breathing dragon on the wall in the nave? Did bored choir boys scratch demons and devils in the chancel? Perhaps the Lord of the Manor used his knife to write a love charm just inside the north door? Heraldic shields, knights, birds, fish, music, architectural plans all can be found. With the passing of time these graffiti now are worn  but in Mediaeval times churches were brightly painted and must have been a joy to eye and mind and imagination and any angels and coats of arms and knights in armour and plants scratched through the paint to show the stone beneath would have been clearly visible and appear to have been respected and in some cases added to. Modern grafitti is generally a kicking of the voiceless against what is seen as an uncaring society, it is seen as undesirable but the graffiti of hundreds of years ago were perhaps a devotion, drawn and scratched by a people far more at home in their churches than many of our generation.

 

Pat Mlejnecky